http://www.freewebs.com/chamanismogn...0de%20Dios.JPG
Versión para imprimir
http://wind.spiritvoices.de/bilder/agnusdei.jpg
Juan el Bautista, estando en la orilla del Jordán, vio a Jesús y dijo de él: Éste es el Cordero de Dios que quita el pecado del mundo (1). Esta es la tarjeta de presentación del Señor.
Los judíos en tiempo de Pascua sacrificaban cada año un cordero, en recuerdo de que con la sangre de este animal fueron librados de la muerte y de la esclavitud en Egipto.
Nosotros también hemos sido liberados de la muerte eterna y de la esclavitud del pecado, gracias a la sangre de Jesús. El Señor fue el autentico Cordero Pascual que murió para librarnos de nuestros pecados.
(1) (Juan 1:29)
Fuente: http://forodehomilias.blogspot.com/2...o-de-dios.html
Vamos yo es que lo entiendo como que con el sacrificio de Jesús se debía acabar con el sacrificio del cordero.
Cesare da Sesto (Sesto Calende, 1477 - Milán, 27 de julio de 1523) fue un pintor lombardo. Es uno de los llamados pintores leonardescos, que siguieron total o parcialmente el estilo marcado por Leonardo da Vinci.
Madonna con el Niño Jesús y cordero (Milán, Museo Poldi Pezzoli, 1512)
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También hay otro "Madonna con el Niño Jesús y cordero" pero de Francesco Melzi.
David le da a la alabanza a Dios después de matar a un león para salvar a un cordero
http://thebiblerevival.com/clipart/d...20a%20lamb.jpg
Fuente: http://thebiblerevival.com/clipart48.htm
"A phial, an Agnus Dei," (U15.289)
* In Christian theology, Agnus Dei (Latin = Lamb of God) refers to Jesus Christ in his role of sacrificial offering to atone for the sins of man (after John 1:29).
* In Christian art, an Agnus Dei is a representation of Jesus as a lamb bearing a cross or a banner.
* Falling from Ellen Bloom's pocket, it refers to a tablet of wax stamped with a representation of Jesus as the Agnus Dei, blessed by the pope.
http://www.joyceimages.com/media/ji/...ei%20Jesus.JPG
Fuente: http://www.joyceimages.com/chapter/15/?page=2
Agnus Dei (Lamb of God)
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Francisco de Zurbarán (1598-1664), Agnus Dei (Lamb of God), circa 1635-1640, Spanish. Oil on canvas. 35.6x52.1 cm. Courtesy of The San Diego Museum of Art (http://www.sdmart.org/), San Diego, California; gift of Anne R. and Amy Putnam, 1947.36. ©2009 San Diego Museum of Art.
Spanish Golden Age painter Francisco de Zurbarán (1598-1664) adopted Seville as his residence in 1629. The city council of Seville had beseeched the artist to grace the capital of Andalucía with his presence after they saw his early masterpiece, Christ on the Cross (also known as The Crucifixion, 1627). Zurbarán's style of ecclesiastical painting matched the pious and devout image of Seville's citizens. Zurbarán's return to Seville—he had apprenticed there from 1614 until 1617—was not free of controversy, however: he had failed to complete the required examination after finishing his apprenticeship and could not officially claim the title of "master painter" . . . [Full Text of this Article]
Janet M. Torpy, MD
http://www.williamhallmarkart.com/st...mages/1004.jpg
Behold the Lamb, Print
Open_Edition (Size 13 x 17)
Behold the lamb is an artwork that will inspire conversation and attract attention. This very special piece is one of a kind in the Christian art world. Look at the symbolism and see the message of God's great love for mankind.
Scripture: " He was brought as a lamb to the slaughter."
Fuente: http://www.williamhallmarkart.com/st....cgi?p_id=1021
http://www.wga.hu/art/b/bosch/5panels/04stjohn.jpg
San Juan Bautista en meditación
Oil on panel, 48 x 40 cm
Museo Lázaro Galdiano, Madrid
In this picture Bosch shows St John the Baptist seated in a humid summer landscape. The composition may well have been influenced by a painting done some years earlier by Geertgen tot Sint Jans. Geertgen represented the thoughtful prophet staring abstractedly into space, rubbing one foot against the other, but Bosch shows him pointing purposefully towards the Lamb of God crouching at lower right. This gesture traditionally identifies John as the forerunner of Christ, the 'precursor Christi'. In this instance however, it also indicates a spiritual alternative to the life of the flesh symbolized in the great pulpy fruits hanging near him on gracefully curving stems, and in the equally ominous forms rising in the background.
Fuente: http://www.wga.hu/frames-e.html?/htm.../04stjohn.html